Posts Tagged ‘portrait’

Melvyn Bragg and the portrait

Saturday, January 13th, 2018

 

Apparently, the seminal British television arts programme, The South Bank Show is forty years old this weekend. I remember watching it on a Sunday evening with it’s extravagantly coiffured presenter, Melvyn Bragg.

I thought this might be an appropriate time therefore to show an image from a (very brief) portrait session I had wth him some years ago. I can’t remember the client but I do remember that the venue was the South Bank Centre and that I probably had less than five minutes – a pretty standard amount of time to make an impactual and polished image under the cold, dead eye of some insufferably intransigent PR (plus ça change…).

In those days, it was rare to be able to set up a background (as seemingly all celebrity portraits have to have now) so I chose a neutral wall and used a metre square Chimera soft box mounted on a Lumedyne head with a heavy battery pack that no doubt I’d struggled with on the ‘Tube at rush hour… This is back in the days of film when I was shooting 6×6 and one had to meter slightly more carefully than with the more forgiving digital cameras that we now take for granted. I remember very little about the shoot except looking at the contact sheet I see that I shot just ten images (from a roll of twelve) and Bragg was polite if brief. He did comment on my camera – as many people used to – an old Mamiya TLR – a C330 built like a tank with bellows… (years later I’d photograph Arundhati Roy who insisted that I only use that camera because it looked “like an antique”). The softbox was great at wrapping light around the face if you set up right and had time to adjust and it was a stock-in-trade technique I used when I knew I’d be pushed for time and wouldn’t be able to use a second head for a little help with the shadows. All key light, no fill.

I shot a portrait for a European magazine yesterday – something I don’t do enough of these days and I used three lights on one set up (for those interested in such things, a big, deep 100cm Elinchrom Octabox as key and then two other kicks with a brolly and another shot into a reflector underneath). It took more than twenty minutes to set up before I shot a frame … I did at one point miss those earlier simple shots… but not the inevitable wait for the film to come back from the lab to determine whether the job was a success…

 

 

Melvyn Bragg, British broadcaster and author

The King is dead…

Wednesday, August 16th, 2017

 

 

I’m no Elvis fan but I know lots of people have a very soft spot for The King and his music. For many, the anniversary of his death today is a significant one so I thought I’d show a few images that I made at an Elvis convention some years ago in Blackpool as a mini tribute. Once upon a time I was shooting a good deal on a rather lovely 5×4 Horseman Camera with Polaroid Type 55 (pos/neg) instant film. Working that way allowed me to shoot rather formal – but unexpectedly beautiful images that I could peel apart and then give to the subject (whilst shoving the negative in a big tank of fixer). It was a lovely way to work but my back never forgave me for the weight of kit I had to lug about. Anyway, here’s a triptych of some of the work…

 

 

 

 

ps. You might like to look at another image of Elvis fans that I made years ago that I featured on this blog in 2015…

Triggering Article 50

Sunday, April 2nd, 2017

 

 

Whilst looking through my archive yesterday for something completely different, I happened to chance upon this image that I think, whichever way you voted in the EU Referendum, might sum up today’s triggering of Article 50 by the British government. It was from an assignment for the Times Magazine on David Miliband in 2008. I’d travelled with him to Kiev, Brussels and errr… Birmingham as well as shooting a portrait at his home in London. This was taken after a rather laborious interview in the European Parliament’s TV studio. Everyone else had cleared off and just the dying buzz of the tv feed remained in the air. Clearly weary, he held his face in his hands as the lights started to dim. It’s never been published before and I’d forgotten all about it but I thought today it might have some … resonance.

 

David Miliband, Secretary of State for Foreign and Commonwealth Affairs and Member of Parliament for South Shields, Tyne and Wear after a live broadcast with a TV channel in the European Parliament, Brussels, Belgium

The Delhi Walla

Tuesday, April 19th, 2016

Even before we met a couple of years ago, I’d long admired the blog and books of Mayank Austin Soofi AKA The Delhi Walla. He has a forensic eye for all things Delhi (and Proust for that matter). Here’s a recent picture of us in the Indian Coffee House in New Delhi – a place that has been – and remains – important to both of us.

 

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Holocaust Memorial Day – Buddy Elias

Tuesday, January 27th, 2015

 

A few years ago I was delighted to photograph Anne Frank’s cousin, the mercurial Buddy Elias in Basel for the Times Magazine. Elias,  the force behind the Anne Frank Foundation was charming and entertaining and we spent a very enjoyable day together.

His mood quietened only when I photographed him at his bedside where he keeps a photograph of Anne.

 

Switzerland - Basel - Bernhardt "Buddy" Elias, Anne Frank's cousin. Elias sits on the bed in the room that was occupied by Otto, Frank's father after World War Two. Behind him are photographs of Frank and himself before the war.

Switzerland – Basel – Bernhardt “Buddy” Elias, Anne Frank’s cousin. Elias sits on the bed in the room that was occupied by Otto, Frank’s father after World War Two. Behind him are photographs of Frank and himself before the war.

 

 

Tearsheet – L’Express

Thursday, December 18th, 2014

 

Here’s a recent portrait assignment for the French magazine L’Express in London. A very interesting hour chatting with British Arabist author James Barr.

 

 

 

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Tearsheet – Sawasdee – Who can leave the streets of Delhi?

Tuesday, December 16th, 2014

 

Here’s a recent tear from a story that I wrote and photographed about Pamela Timms‘ new book on Delhi street food – Korma, Kheer and Kismet.

 

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Learning something new

Monday, July 14th, 2014

 

I’m quite a traditional photographer. To the surprise of many who see me working, I still expose my digital images the way I shot transparency film: carefully and with a hand-held meter. In this way, I’ve always had a problem with photographers that shoot real life and then work on their files afterwards to create a different, almost hyper reality. For photojournalists I find this very difficult to deal with and, as I’ve said before, I believe it can create a serious problem of authenticity and voracity. I find myself however at a stage of my career where I want to learn new things. I also find myself increasingly shooting personal projects with an eye to more commercial markets. Recently I’ve been trying to learn how to create a look that I feel happy with and that I can manipulate for a new project (that’s under wraps for now). After some deliberation and a lot of help from my friends – I have something I’m happy with. This may not be a very big step for some – very old hat to some people – but for me it’s an enormous one.

And it’s always good to learn something new. When was the last time we can honestly say that we have?

I won’t be shooting anything serious like this (in the sense of documentary work) but I may change and evolve a new process to reinvigorate things a bit on another front. Old dog/new tricks. Here’s one I made earlier.

What do you think?

 

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An old man working as a scribe outside a shop in a Jaipur Bazaar, Jaipur, India

India – Jaipur – An old man working as a scribe outside a shop in a Jaipur Bazaar

 

and after

An old man working as a scribe outside a shop in a Jaipur Bazaar, Jaipur, India

India – Jaipur – An old man working as a scribe outside a shop in a Jaipur Bazaar

 

Tearsheet – Intelligent Life Magazine

Tuesday, June 10th, 2014

 

Here’s a tearsheet from the Economist’s Intelligent Life Magazine – a portrait of author Jim Crace visiting his favourite museum – the tiny Penlee House in Cornwall. Charming man, charming place

 

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The telling legacy of MF Husain

Monday, June 2nd, 2014

 

I’m delighted that the V&A in London will be hosting a new show of MF Husain’s work this Summer.

I photographed Husain many years ago in his Bombay studio (I’ve previously written about him here and here) and he was as charming as he was prolific. How awful then that his work, a mixture of European Modernism and Indian imagery, is unlikely to be seen again anytime soon in his home country. He had to flee India in 2006 as Hindu militants put a bounty on his head, charging him with “offending religious sentiment”. The London show is, in a sense, a farewell to Husain but perhaps moreover, potentially to the ideas to which his art spoke: of a secular, tolerant India. As India rushes headlong into the clutches of corporations and those that seek to divide it’s people against one another (rigidly defining those who are and who aren’t an ‘acceptable’ Indian), it ironically may take the legacy of an elderly millionaire painter to act as a metaphor for the freedoms that ordinary Indians – indeed perhaps the idea of India itself – are in danger of losing.

 

India - Mumbai - MF Husain (b. 1915, Maharashtra) India's foremost modernist painter at his studio in Mumbai (formerly Bombay). In the 1990s some of Husain's works became controversial because of their portrayal of naked Hindu deities. Charges were brought against him by Hindu Nationalists but were dismissed by the Delhi High Court. Husain dies in exile where his painting continued to command prices of several million dollars at auction.

India – Mumbai – MF Husain (b. 1915, Maharashtra) India’s foremost modernist painter at his studio in Mumbai (formerly Bombay). In the 1990s some of Husain’s works became controversial because of their portrayal of naked Hindu deities. Charges were brought against him by Hindu Nationalists but were dismissed by the Delhi High Court. Husain died in exile but his painting continue to command prices of several million dollars at auction.