Tag: Arundhati Roy

Melvyn Bragg and the portrait

 

Apparently, the seminal British television arts programme, The South Bank Show is forty years old this weekend. I remember watching it on a Sunday evening with it’s extravagantly coiffured presenter, Melvyn Bragg.

I thought this might be an appropriate time therefore to show an image from a (very brief) portrait session I had wth him some years ago. I can’t remember the client but I do remember that the venue was the South Bank Centre and that I probably had less than five minutes – a pretty standard amount of time to make an impactual and polished image under the cold, dead eye of some insufferably intransigent PR (plus ça change…).

In those days, it was rare to be able to set up a background (as seemingly all celebrity portraits have to have now) so I chose a neutral wall and used a metre square Chimera soft box mounted on a Lumedyne head with a heavy battery pack that no doubt I’d struggled with on the ‘Tube at rush hour… This is back in the days of film when I was shooting 6×6 and one had to meter slightly more carefully than with the more forgiving digital cameras that we now take for granted. I remember very little about the shoot except looking at the contact sheet I see that I shot just ten images (from a roll of twelve) and Bragg was polite if brief. He did comment on my camera – as many people used to – an old Mamiya TLR – a C330 built like a tank with bellows… (years later I’d photograph Arundhati Roy who insisted that I only use that camera because it looked “like an antique”). The softbox was great at wrapping light around the face if you set up right and had time to adjust and it was a stock-in-trade technique I used when I knew I’d be pushed for time and wouldn’t be able to use a second head for a little help with the shadows. All key light, no fill.

I shot a portrait for a European magazine yesterday – something I don’t do enough of these days and I used three lights on one set up (for those interested in such things, a big, deep 100cm Elinchrom Octabox as key and then two other kicks with a brolly and another shot into a reflector underneath). It took more than twenty minutes to set up before I shot a frame … I did at one point miss those earlier simple shots… but not the inevitable wait for the film to come back from the lab to determine whether the job was a success…

 

 

Melvyn Bragg, British broadcaster and author
Categories photography, Uncategorized, Writing

David beats Goliath

 

I was delighted to read over the weekend in a piece by Dean Nelson and Simon de Trey-White in the Daily Telegraph of the decision by Vedanta Mining to respect the wishes of the Dongria Kondh tribe and cease mining their sacred mountain for bauxite.

Vedanta Resources, a UK-registered ftse -100 company wanted to mine the Niyamgiri Hills in Orissa which are sacred to  Dongria Kondh, a protected tribal group of ‘original’ Aboriginal peoples. The Orissa state government had agreed to the destruction of the Tribal peoples land in 2005 but the decision was eventually overturned by the Supreme Court after a tortuous appeals process. The final decision was made by the Dongria Kondh themselves at a gathering at the weekend.

I covered the story in 2007 and wrote about it for the Indian magazine Tehelka (see here).

In a blog post on this site in 2009 I wrote that,

“I am no romantic when it come to India. I don’t share a Raj view of the colonial apologists (despite inevitably by dint of being British having reaped the indirect rewards of the subjugation of that country). I don’t yearn for quaint, underdeveloped communities full of poverty and colour. I want to see India progress. But I know the stink of international corporate power when I smell it… India had no colonies from which to steal resources so it’s stealing them from its own weak and vulnerable. The profits of this mine will not be spread evenly to benefit the Indian economy – it will be hoarded in the off-shore bank accounts of those corrupt politicians and corporate executives who already think that India is theirs by right.

A new middle class India has been brought up to believe that a successful society means a consumerist society. Greed and nationalism go hand in hand: it is not the poor of India calling for war with their brothers and sisters in Pakistan.”

It is a deeply significant victory for the Dongria Kondh but as Nelson correctly points out the flow of modernity is inevitable.

As I also wrote in 2009,

“Traditionally, Indians have protested injustice in a dignified Ghandian way with hunger strikes and marches. While the Western media and much of India has been marvelling at ‘Shining India’ it has failed to notice that a good deal of India is now under (mostly Maoist) rebel control. In Kashmir, Manipur, Nagaland, Bihar, Andhra Pradesh, Chhattisgarh and Jharkhand the Indian state is fighting a battle it might not win.”

I’ve used before Arundhati Roy‘s metaphor of India ‘eating its own people’ to describe that country’s unfettered race to Market Capitalism’. I hope that the Dongria Kondh’s victory for their peaceful, traditional way of life in harmony with the land of their fathers will last for as long it can.

 

 

India - Orissa - Dabu Limajhi, a tribal woman in her home in Kankasarpa village, India – Orissa – Dabu Limajhi, a tribal woman in her home in Kankasarpa village,

Categories Blog, photography, Writing

Vedanta – India’s shame

I read today with disappointment and resignation that Vedanta Industries have won their fight on appeal to establish a bauxite mine in the Niyamgiri Hills in India.

I wrote a piece for the Indian magazine Tehelka about this story in 2007 and it can be seen here.

Vedanta Resources, a UK-registered ftse -100 company has fought a long campaign to establish the mine and despite judicial review it seems now that nothing can stop it.

The story typifies the very real problem of India’s industrial development. The Niyamgiri Hills in Orissa are sacred to the Dongria Kondhs, a protected tribal group of ‘original’ Aboriginal peoples. Allegedly, the British geologist who “discovered” these rich deposits nearly a century ago dubbed them “Khondalite” in tribute to the people who guided him there. It seems that this simple act of hospitality will mean the end of another of India’s pre-Aryan traditional cultures. The holy mountain will be raped for its ore and the people who haven’t already fled the company’s previously illegal building programme will be scattered. Those who stay will doubtless be housed in the stalag-like accommodation blocks I saw laying empty and crumbling in Lanjigarh. They will have to sell their land at government determined prices and then work as contract labourers. What has happened to countless other ‘primitive’ and powerless peoples all over India will happen to them. Displaced from their traditional homelands, sacred to their animist beliefs, women and girls often end up working as daily wagers, domestic helps or prostitutes. The women will also have to cope with alcoholism and domestic violence.

The author and social activist Arundhati Roy has described India’s unfettered race to Market Capitalism as nothing less than India ‘eating its own people’ and in this macabre metaphor one can see the reflections of the Enclosures and urbanisation of the rural communities of England in the nineteenth century.

Engels in his ‘Conditions of the Working Classes’ wrote about the squalor and appalling inhumanity of the Northern mill towns but these could be anywhere in the newly ‘industrialised zones’ of rural India.

I am no romantic when it come to India. I don’t share a Raj view of the colonial apologists (despite inevitably by dint of being British having reaped the indirect rewards of the subjugation of that country). I don’t yearn for quaint, underdeveloped communities full of poverty and colour. I want to see India progress. But I know the stink of international corporate power when I smell it.

India had no colonies from which to steal resources so it’s stealing them from its own weak and vulnerable. The profits of this mine will not be spread evenly to benefit the Indian economy – it will be hoarded in the off-shore bank accounts of those corrupt politicians and corporate executives who already think that India is theirs by right.

A new Middle Class India has been brought up to believe that a successful society means a consumerist society. Greed and nationalism go hand in hand: it is not the poor of India calling for war with their brothers and sisters in Pakistan.

Traditionally, Indians have protested injustice in a dignified Ghandian way with hunger strikes and marches. While the Western media and much of India has been marvelling at ‘Shining India’ it has failed to notice that a good deal of India is now under Maoist rebel control. In Kashmir, Manipur, Nagaland, Bihar, Andhra Pradesh, Chhattisgarh and Jharkhand the Indian state is fighting a battle it might not win.

A woman carries a pot of water from a stream in front of the Vedanta plant, Lanjigarh, Orissa
A tribal woman carries a pot of water from a stream in front of the Vedanta plant, Lanjigarh, Orissa
The Vansadhara river. The river is one of two that flows from Niramgiri mountain. The effect of the Vedanta plant will be to dry up streams that feed the river depriving the Dongria Kondh of fresh water
The Vansadhara river. The river is one of two that flows from Niramgiri mountain. The effect of the Vedanta plant will be to dry up streams that feed the river depriving the Dongria Kondh of fresh water
Widow Kadu Dei and her child, Harni Majhi, 2. Dei's husband was an anti- Vedanta Alumina activist who it is alleged, was killed in a hit and run accident by a car used by Vedanta employees. Dei is now forced to rely on the charity of her neighbours to survive. Kansari village, Orissa
Widow Kadu Dei and her child, Harni Majhi, 2..Dei's husband was an anti Vedanta Alumina activist who it is alleged, was killed in a hit and run accident by a car used by Vedanta employees. Dei is now forced to rely on the charity of her neighbours to survive. Kansari village, Orissa
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