Appropriately on Valentine’s Day, the New York Times carries a piece today about the changing landscape of romance and especially kissing in Indian society. During my project about documenting Delhi’s green spaces, I photographed many couples seeking intimacy in public places unable to do so at home. Here are a couple of images from the series Public Spaces, Private Lives. A fuller set ran on the Camera Obscura blog in 2009 with a little interview about the work.
Happy Valentine’s Day.
I’ve been associated with Delhi in one way and another almost fourteen years. I’m sometimes based there for months on end and, although it is perhaps one of the most frustrating and brutal cities I can think of, I find endless fascination with it. Like London, Delhi is a palimpsest of perhaps nine, perhaps more cities built, destroyed and rebuilt. It’s usually recorded, with some notable exceptions (and again) as unknowable and unloveable. Choked with people and displaying more violence than India would like to admit, journalists tend to concentrate on its chaos poverty and pollution. I’ve done those pieces myself, most recently a film for More4 News about Water in the city that you can see here. But Delhi is certainly more than that. During that film I was working in Kusumpur Pahari, a thirty year old slum or jhuggi cluster. The slum is entirely illegal but is home to thousands of people. Some have rather nice houses and of course some have tried to beautify them as best they can. Many have little flat roofs where they have gardens made of pot plants. It struck me that this didn’t really fit with the poverty stricken Dickensian idea that we in the West have of helpless slum-dwellers and I started to photograph them. That led me onto an as yet unfinished body of work about imaging Delhi in a different way. I wanted to look at Delhi’s relationship with Gardens and space and so for the last couple of years have been trying to photograph not only the acres and acres of green space in the city but crucially in such a crowded conservative place, people’s relationship to it. A couple of weeks ago I was approached by Fabiano Busdraghi who publishes online the small but beautifully formed Camera Obscura magazine/blog. He asked me if I’d write something and I immediately thought of this project. You can see the piece, The Gardens of Delhi – Public Spaces, Private Lives, here. I hope that you enjoy it.
The text on the Camera Obscura site is pretty explanatory about the project so I won’t bang on about it here. Instead, here are some more images that I like from it.