Walking in Addis


A couple of hours walking the streets of Addis Ababa.

Looking for colour.

Making images for the sheer novelty of it.

The light of an African afternoon.



Ethiopia – Addis Ababa – A man removes his jacket in the heat of the day


Ethiopia – Addis Ababa – A woman looks at jobs advertised on a wall


Ethiopia – Addis Ababa – Men read rented newspapers on the street for a few coins


Ethiopia – Addis Ababa – A woman waits on a street corner


Ethiopia – Addis Ababa – A street boy


Ethiopia – Addis Ababa – Men pray at St George’s Church

The light…



India - Jaipur - A man walks through the streets of the Old City at dusk


I have just finished a lovely four day travel assignment in one of India’s most tourist-heavy cities, Jaipur. Ironically I was tasked to write and photograph about the quiet spots, the quirky and the unusual and I’m pleased to say that there were many. I stayed an extra day and a half in order to edit and write the piece and on the last afternoon, took myself out to shoot on the streets. I always used to do this kind of work on Leica’s and tranny. That process was very freeing but I find it incredibly difficult these days to shoot this kind of work on DSLR’s. Perhaps it’s just me but one looks so much like a photographer that the process becomes a cliche: two big heavy cameras with two big heavy prime lenses. A long way from the classic rangefinder. It is more than that however – purely in terms of seeing, those little cameras allowed you to examine spatial relationships through the viewfinder. You could pre-focus and just walk into the picture. I feel very removed when I try to do these kind of things with my current kit. There’s a sort of rhythm that works on the street and it’s really difficult to do with such a big, noisy machine pressed to your face. I have, over the years in India gone back to my M6 rangefinders as it’s still relatively cheap and easy to process film here.  However, then you have the laborious task of scanning – a process which, after spending the best part of two years feeding my archive (in the form of little plastic squares) through various machines, I’d rather die than attempt again. The irony is of course that I used to be sponsored by Leica (and Kodak for that matter) but who, apart from dentists (meaning rich hobbyists) as Simon Norfolk said a few years ago can afford a couple of M9’s? Or perhaps I’m just not working hard enough…