Posts Tagged ‘portrait’
The telling legacy of MF Husain
Monday, June 2nd, 2014
I’m delighted that the V&A in London will be hosting a new show of MF Husain’s work this Summer.
I photographed Husain many years ago in his Bombay studio (I’ve previously written about him here and here) and he was as charming as he was prolific. How awful then that his work, a mixture of European Modernism and Indian imagery, is unlikely to be seen again anytime soon in his home country. He had to flee India in 2006 as Hindu militants put a bounty on his head, charging him with “offending religious sentiment”. The London show is, in a sense, a farewell to Husain but perhaps moreover, potentially to the ideas to which his art spoke: of a secular, tolerant India. As India rushes headlong into the clutches of corporations and those that seek to divide it’s people against one another (rigidly defining those who are and who aren’t an ‘acceptable’ Indian), it ironically may take the legacy of an elderly millionaire painter to act as a metaphor for the freedoms that ordinary Indians – indeed perhaps the idea of India itself – are in danger of losing.

India – Mumbai – MF Husain (b. 1915, Maharashtra) India’s foremost modernist painter at his studio in Mumbai (formerly Bombay). In the 1990s some of Husain’s works became controversial because of their portrayal of naked Hindu deities. Charges were brought against him by Hindu Nationalists but were dismissed by the Delhi High Court. Husain died in exile but his painting continue to command prices of several million dollars at auction.
Another one gone…
Thursday, March 6th, 2014
I’ve just discovered that one of my favourite Indian Coffee Houses, in Kollom, Kerala was closed in January.
I photographed there for an afternoon when I was working down there this time last year.
Over the years on this blog, I’ve written numerous times about my love for these places that hold a memory of an older, more gentle India…
Martyr’s Day in São Tomé and Príncipe
Tuesday, February 4th, 2014
Yesterday was Martyr’s Day in São Tomé and Príncipe, the island nation that I visited last year on assignment for Conde Nast Traveller Magazine. I’ve posted quite a few favourite images from that assignment before (here, here, here and here) but I thought I’d show a little set of images that didn’t make the magazine cut – but that I liked …

Sao Tome and Principe – Principe – A man poses with his child and his bike, having just ridden out of the jungle
There’s a bigger selection on my website here
The Priest of Palermo
Tuesday, October 1st, 2013David beats Goliath
Monday, August 12th, 2013
I was delighted to read over the weekend in a piece by Dean Nelson and Simon de Trey-White in the Daily Telegraph of the decision by Vedanta Mining to respect the wishes of the Dongria Kondh tribe and cease mining their sacred mountain for bauxite.
Vedanta Resources, a UK-registered ftse -100 company wanted to mine the Niyamgiri Hills in Orissa which are sacred to Dongria Kondh, a protected tribal group of ‘original’ Aboriginal peoples. The Orissa state government had agreed to the destruction of the Tribal peoples land in 2005 but the decision was eventually overturned by the Supreme Court after a tortuous appeals process. The final decision was made by the Dongria Kondh themselves at a gathering at the weekend.
I covered the story in 2007 and wrote about it for the Indian magazine Tehelka (see here).
In a blog post on this site in 2009 I wrote that,
“I am no romantic when it come to India. I don’t share a Raj view of the colonial apologists (despite inevitably by dint of being British having reaped the indirect rewards of the subjugation of that country). I don’t yearn for quaint, underdeveloped communities full of poverty and colour. I want to see India progress. But I know the stink of international corporate power when I smell it… India had no colonies from which to steal resources so it’s stealing them from its own weak and vulnerable. The profits of this mine will not be spread evenly to benefit the Indian economy – it will be hoarded in the off-shore bank accounts of those corrupt politicians and corporate executives who already think that India is theirs by right.
A new middle class India has been brought up to believe that a successful society means a consumerist society. Greed and nationalism go hand in hand: it is not the poor of India calling for war with their brothers and sisters in Pakistan.”
It is a deeply significant victory for the Dongria Kondh but as Nelson correctly points out the flow of modernity is inevitable.
As I also wrote in 2009,
“Traditionally, Indians have protested injustice in a dignified Ghandian way with hunger strikes and marches. While the Western media and much of India has been marvelling at ‘Shining India’ it has failed to notice that a good deal of India is now under (mostly Maoist) rebel control. In Kashmir, Manipur, Nagaland, Bihar, Andhra Pradesh, Chhattisgarh and Jharkhand the Indian state is fighting a battle it might not win.”
I’ve used before Arundhati Roy‘s metaphor of India ‘eating its own people’ to describe that country’s unfettered race to Market Capitalism’. I hope that the Dongria Kondh’s victory for their peaceful, traditional way of life in harmony with the land of their fathers will last for as long it can.
India – Orissa – Dabu Limajhi, a tribal woman in her home in Kankasarpa village,
São Tomé portrait
Monday, July 29th, 2013Principe Portrait
Thursday, July 25th, 2013Music on a rainy afternoon
Friday, July 19th, 2013
Here’s another image from a recent Conde Nast Traveller story in Sao Tome and Principe. It shows singer Guilherme de Caravlho playing at home in Sao Tome. Outside the heavens had just opened and a rain storm was passing overhead. Behind the curtain his daughter danced to the music.
I’ve written before about music from former Portuguese colonies: the melancholy, the saudade. Here was a perfect moment to illustrate it. I hope that I did his song justice…
Tearsheet – Independent Magazine
Thursday, June 6th, 2013
Here’s a recent tearsheet – a cover and two stories – from the Independent on Sunday Magazine. Firstly, a piece on Fergus Drennan, (also known a s Fergus the Forager who I’ve written about and photographed before) and a piece on Karims restaurant in Old Delhi.