Delighted that at least some justice has been served today for the people of Sierra Leone and Liberia after Charles Taylor was found to have “aided and abetted” war crimes” by a United Nations-backed tribunal in The Hague.
Delighted that at least some justice has been served today for the people of Sierra Leone and Liberia after Charles Taylor was found to have “aided and abetted” war crimes” by a United Nations-backed tribunal in The Hague.
So, apparently, it was a “big inconvenience” for Naomi Campbell to appear before the International War Crimes Tribunal in the Hague yesterday… words fail me. Sometimes perhaps it’s just best to let people hang themselves by their own words: their own ignorance (“I’d never heard of Liberia…”) and their own selfishness. Of course it’s also a “little inconvenient” to have your arms/legs/noses/genitals hacked off with machetes by rebels financed by illegal diamond mining. But I digress… here are some more “inconveniences”…
Last month saw the release of Unseen a new collaborative project by the British Press Photographers Association (BPPA). So many images are commissioned editorially and never used and this project sought to showcase some of that work. I have a few spreads inside as well as the cover of which I’m very proud.
The image shows Ibrahim who had his right arm hacked off by rebels from the RUF (Revolutionary United Front).
Despite the Guardian Magazine running the story, the image above was never published. It did however get some recognition at Pictures of the Year (POY) in America.
I remember when I took the assignment, I was very apprehensive. I’d made quite a lot of work in Sierra Leone for a project on young men and violence called The Lord of the Flies (largely an attempt to partially refute Robert Kaplan’s arguments) and had returned subsequently to look at the immediate effects of the mutilations. In the intervening years it seemed that the amputees had become part of a grotesque circus of photographers coming in, ‘doing the atrocity tour’ and leaving; I honestly didn’t know what I could really add to the story. Still, the job was to produce a big exhibition for Handicap International and I had no editorial constraints.
I tried very hard to just photograph the amputees as they were – the fact that they’d been brutalised, an aside on everyday life. In one of those rare moments that make doing this work extraordinary, I turned a corner in a village in Makeni and came face to face with Hassan Fufona. Hassan had polio as a child and the rebels cut off his one good arm. I’d spent days with him in Freetown in 1999 watching him beg, being fed and returning to a hut where he lived with his ageing parents and small brother. A haunted, gaunt boy. Now newly married with two adopted war orphan children in a new town he was transformed. I photographed him in bed with his wife giggling as she put on his prosthetic harness and I photographed him as the head of a family outside his new house. Now, I don’t make any claims to have changed much with photography or in fact to have done much to make the world a better place but meeting Hassan again certainly changed me a little. Sometimes you can’t see the small victories in Africa but they are there. You just have to know where to look.