Tearsheet – Digital Camera Magazine – The Photo Essay

 

Here’s a rather lovely tear sheet from this month’s Digital Camera Magazine. They asked me to write a piece about how to put together a photo essay so I deconstructed (and greatly simplified) the classic Life Magazine formula using several of my old stories to illustrate the idea.

As I say in the piece, the Life formula is much derided these days but I teach it (and use it myself) because it’s so useful.

Just as there are rules in grammar which enable us to convey meaning, this ‘formula’ allows you to use a narrative structure that ‘reads’ in a similar way. There’s a logic and a simplicity to it. In any case, if you know the rules, you can break them – but it’s good to know them first…

 

 

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The sad demise of the Independent…

There was some inevitability about it of course but after thirty years, The Independent Newspaper has decided to close the print edition(s) and move online. In the late 1990s and early 2000s I worked on quite a few stories for the excellent Sunday Magazine picture desk that was Victoria Lukens and Susan Glen.

Susan, now a respected photography consultant is featuring some of the Independent’s work on her site and has just published my story about the mental landscape of war amongst child soldiers in Africa, The Lord of the Flies 

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You can see the full set here

 

Tearsheet – Renegade Magazine

 

I’m delighted that one of my images is featured in a new travel magazine called Renegade. It’s small, beautiful and full of interesting stuff. Here’s my double page – an image The Tree of Life in Iraq.

 

Iraq - Basra - Boys climb the tree of Adam at Al Qurnah near Basra. The tre, according to legend marked the Garden of Eden, at the convergence of the Euphrates and the Tigris Rivers
Iraq – Basra – Boys climb the tree of Adam at Al Qurnah near Basra. The tree, according to legend marked the Garden of Eden, at the convergence of the Euphrates and the Tigris Rivers

Tearsheet – The Ahwas of Cairo

 

Here is a recent tearsheet from the wonderful Effilee Magazine for whom I wrote and photographed a really unusual piece about the Ahwas (coffeehouses) of Cairo. I wanted to write about the situation in Egypt without watching people fighting and using the prism of the Ahwas allowed me to examine protest and the way that the Revolution has evolved through them. The piece is an historical look at the heritage of the coffee houses and their resurgence after years of political repression. Under Nasser, Sadat and Mubarak, dissent and free thought were controlled. Networks of informers and secret policemen used cafes as an access point to the Arab Street. Novelists and poets like Naguib Mafouz still patronised them but had to write and speak in metaphor. Despite this coffeehouses had and continue to hold a significant rôle in Arab (and specifically) Egyptian literature and culture.
The Revolution of 2011 was sparked at least in part by the killing of a young man by the security forces outside an Ahwa that was used as an internet cafe. The cafes have become political again and, in this work, I’ve tried to explore the downtown splendour of the Art Nouveau, Cafe Riche that is home to a new generation of political activists, the street cafes of the Bourse (Cairo’s Left Bank during the Revolution) as well as a survey of Ahwas less well known – simple backstreet cafes and those of the Zaballeen (the Christian minority). Interviews include (amongst others) political commentator and Booker Prize nominated novelist Ahdaf Soueif, Arab Booker nominee (also head of Al-Dar publishing house) and flâneur Makkawi Said and Max Rodenbeck, the Economist’s correspondent and author of the encyclopaedic, ‘Cairo, the City Victorious’. Currently, a new Egyptian soap opera called Coffee Shop is attracting very negative attention from Egypt’s secularists about the way women are (or actually not) portrayed within the programme. The debate goes to the heart of what society was being created under the Morsi government.

Here’s the tearsheet:

 

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Tearsheet – Independent Magazine

 

Here’s a recent tearsheet – a cover and two stories – from the Independent on Sunday Magazine. Firstly, a piece on Fergus Drennan, (also known a s Fergus the Forager who I’ve written about and photographed before) and a piece on Karims restaurant in Old Delhi.

 

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